Forty years passed: It's a time to reflect, and Duran Duran's anniversary effort, "Future Past," finds the ever forward-looking band willing to embrace just a bit of nostalgia.
Duran Duran means a lot to its fans. And it means different things to different Duranies, whether they prefer the original Fab Five and its first three studio masterstrokes, or the early '90s hitmakers propelled by a new guitarist and new energy.
But what does Duran Duran mean in 2021? Its music is definitely electronic. And the band is definitely still reaching for a hit, but perhaps not so obviously as in recent incarnations.
The band's 15th studio album, "Future Past" (Tape Modern/BMG), boasts four of five original members, a pedigreed guitarist in Graham Coxon of Blur, and a curated selection of musical guests.
"Future Past" opens with "Invisible," the album's first release, a funk-pop jam that may be its strongest single. From there, the lyrical love letter "All Of You" gives way to the album's best track featuring a guest artist, "Give It All Up," with its swirling synths and singer Tove Lo's voice melding seamlessly with Simon Le Bon's.
The celebratory mood of the album truly kicks in with "Anniversary," a musically infectious single befitting of a 40th-anniversary bash. Le Bon almost spoils the party by over-singing the chorus. While Le Bon has still got it vocally four decades in, he shines in a lower register, as on the title track, a ballad that warms like a fireplace on a cold winter day.
Despite some killer John Taylor bass lines, Roger Taylor's best drumming in years, and Coxon's contributions, the album is nearly as electronic as its predecessor. But "Future Past" has a welcome warmness that's missing from "Paper Gods," likely thanks to Nick Rhodes' analog synths and Le Bon's ever-recognizable vocals.
The exception may be the tracks produced by Giorgio Moroder. "Beautiful Lies" and "Tonight United" have Moroder's fingerprints all over them. "Beautiful Lies" is the better effort; "Tonight United" is an unapologetic grab for the pop music masses with its basic but unifying lyrics, and not a lick of guitar.
The album veers back into pop-rock territory with "Wing," a darkly gorgeous ballad featuring Mark Ronson on guitar. Ronson's production talents are sadly missing from the album. But Erol Alkan competently steers the ship, even encouraging the band to take chances without alienating its core fanbase.
The album winds down with a couple such surprises. "Hammerhead" includes a brief and subtle rap by Ivorian Doll; "More Joy" features Japanese punk group Chai adding a dash of chanting to a piece of pure Duran pop. The album closes in classic Duran fashion with a dreamy ballad, "Falling," featuring Bowie keyboardist Mike Garson on piano and some funky bass.
"Future Past" is a consistent and pleasing effort, and like its singles, is sure to pay off in repeated listens. Years in the making, the album may have benefited from a pandemic-induced break in recording. Rhodes recently discussed how the band revisited the material with fresh ears after that time away. The album then seemed to materialize quickly, at least in the scope of Durantime.
Whether all Duranies will enjoy "Future Past" will be a matter for debate. But as Le Bon sings on "All Of You": "We are music lovers, this much we've learnt." And for most Duranies, there should be a lot to love on "Future Past."
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