Crowded House prove they haven’t lost the magic with brilliant show at The Astro

Crowded House showcased their familiar hits and familial ties at The Astro amphitheater in La Vista on Friday, providing the ideal soundtrack to a beautiful late-summer evening.

The Australian-New Zealand band, led by the ever-talented Neil Finn, also features fellow original member Nick Seymour on bass, longtime collaborator Mitchell Froom on keyboards, and Finn’s sons, Liam and Elroy, on guitar and drums, respectively—though, like their father, the two really are multi-instrumentalists. 

As the opening act, Liam Finn showed off his own talents, playing drums and guitars and singing, too. Neil Finn’s move of putting his boys in the band was a smart one, as Liam’s voice is especially similar to his dad’s and complements it quite well. Both sons also sang lead during Crowded House’s set, giving Finn a chance to rest his voice a bit.

The band, now approaching their 40th anniversary, are still in top form, as evidenced on their latest album, Gravity Stairs. They played five of that album’s 11 songs, including the wistful “Teenage Summer” and the joyful “Oh Hi.” The new songs fit seamlessly among the band’s scores of ’80s and ’90s hits.

To open the concert, they went back to the start, playing “Recurring Dream” followed by “World Where You Live,” from their classic self-titled debut. Mid-set, Finn switched from guitar to piano for a few songs, including “Message to My Girl,” one of two Split Enz covers played during the show. They followed that with “When You Come” and “Private Universe,” which featured an extended outro that added intensity to the already-stunning track. 

Elroy Finn moved out from behind the drum kit for “Thirsty,” another track off the new album, and touring percussionist Paul Taylor filled in on drums. Liam Finn also took a turn on lead vocals on “The Howl,” another new song, which was “the most played song in Omaha, Nebraska, tonight,” his father remarked. (He had played it to open the concert, too.)

The show then hit a high point—and it only built from there. Hearing Crowded House perform perhaps their finest song, “Distant Sun,” followed by their biggest hit, “Don’t Dream It’s Over,” can only be described as magical.

They closed the main set with two more hits, “Something So Strong” and “Weather With You,” prompting the crowd to sing along and then cheer for more. They opened the encore with another Split Enz cover, “I Got You,” which the audience members had voted to hear via a QR code. That was followed by “Nails in My Feet,” from the excellent Youth-produced ’90s album Together Alone. They ended the show on a low-key but no less exhilarating note with the ballad “Into Temptation,” which led into a brief version of “Better Be Home Soon.”

Crowded House—with their 23-track set list, witty and quirky between-song banter, and brilliant playing—put on a musical display that won’t soon be forgotten. Followed by a ride down the slides near the venue and a brief moonlit walk, the show made for a perfect evening.

Photos by Karen Duran Windle and Christopher Windle

Duran Duran Appreciation Day

For Duran Duran Appreciation Day, let’s take a look back at the band’s spring U.S. tour. Duran played select dates, including the Cruel World Festival in California and at venues including Steelhouse Omaha in Nebraska. Here are some additional photos from the Omaha concert and comments from Nick Rhodes about the small yet surprising show.

Rachael O’Connor strikes a pose. Above, John Taylor.
All photos by Karen Duran Windle

“I think the surprise for all of us on the whole trip was Omaha," Rhodes told “Katy’s Kafe.”

“We played a tiny little venue there and, honestly, as good as any small venue I think we’ve ever played. Just beautifully appointed. Incredible sound. They thought about everything, and wow, what an audience. I guess we hadn’t been there for a very long time, and it just all clicked together that night.”

  Rhodes and Simon Le Bon in a lighter moment.

“I think it’s true of any town … where they don’t get quite as much as everybody else,” the keyboardist continued. “Omaha, Nebraska, I guess they don’t always get everything. We certainly hadn’t been there in forever and ever. 

“I hope it’s not that long again. … 

That was really fun.”

Taylor plays the f***ing bass. 

Above, Le Bon and Anna Ross.

X go out in style during farewell tour stop in Omaha

X, longtime Los Angeles punk stalwarts, may be disbanding at the end of their current tour, but they’re far from slowing down. The band showed this and more during their concert at the Waiting Room in Omaha on Sunday night. 

X, with all four original members—vocalist Exene Cervenka, bassist and vocalist John Doe, guitarist Billy Zoom, and drummer D.J. Bonebrake—played 22 songs, a feat that many much younger bands don’t even attempt. Through it all, the band put on a high-energy show, playing tracks from its forthcoming and final album, Smoke & Fiction, and kicking off the encore with a surprise.

Singer Jesse Ahern opened the show with his honest and earnest protest songs, connecting with the audience and even getting them to sing along at times. Then the crowd drew even closer to the stage for X, as they started the show with a trio of superb songs off Wild Gift, “Beyond and Back,” “In This House That I Call Home,” and “We’re Desperate,” before launching into the title track from their seminal debut album, Los Angeles.

X played four tracks from Smoke & Fiction, among them the title track and the aptly titled “Sweet Til the Bitter End,” which fit in seamlessly with their classic songs.

Doe, an everyman who has also dabbled in writing and acting (and could be considered a bit of a punk historian as well), introduced “The World’s a Mess: It’s My Kiss,” by saying that given the state of current events, the chorus had been stuck in his head. The song began the heart of the setlist, starting with “White Girl” and ending with “I Must Not Think Bad Thoughts,” which featured not only a sax solo by Zoom but also a turn on vibraphone by Bonebrake.

Photos by Christopher Windle 

The band played two more tracks from Los Angeles, “Your Phone’s Off the Hook, but You’re Not” and “Sugarlight,” and “Motel Room in My Bed” from Under the Big Black Sun, before closing out the main setlist with their cover of The Doors’ “Soul Kitchen” (also off Los Angeles).

For the encore, Doe returned to the stage with only Cervenka to do “something that we never do” during an X show. The pair performed the stunning “See How We Are,” which was even more powerful when stripped down to the duo’s vocal harmonies and guitar.

The rest of the band then took the stage to bring the show to an energetic conclusion with “Adult Books” from Wild Gift and “Water & Wine” off 2020’s Alphabetland.

After more than 45 years, it’s understandable that X want to leave recording and touring behind. But the Omaha show proved that the band will always be American treasures—and they’ll be missed.

Duran Duran puts on a true celebration for Steelhouse Omaha's anniversary—and Duranies alike

More than 35 years after Duran Duran last played Omaha (and over 13 years since my last general-admission Duran show), the band returned for an electrifying concert to celebrate the one-year anniversary of Steelhouse Omaha on May 17.

The show, from the atmospheric opening song “Night Boat” to the obligatory closer “Rio,” was indeed a celebration for everyone. This included the contingent of Duranies who had waited outside the venue through blazing sun and fierce wind for over 12 hours and the well-heeled Omahans who filled the balcony (which was closed to the public for a private party).

Though the private event was likely the reason that Duran had finally returned to the city, the public jumped at the chance to see the band in a small venue and filled the floor entirely. Around noon, we joined the queue outside, which included a couple of dozen fans, some who had lined up at 6 a.m. Before the doors opened at 7 p.m., the line had snaked around the building. 

Once the doors opened, just like in that famous scene from “Sing Blue Silver,” fans ran up to the stage, where they formed a barrier of sorts—the most pleasant spot to take in a Duran concert. The die-hards, having spent the major part of a day holding their places in the queue and sparking up conversations with each other, made sure that everyone’s area was secure near the stage. Until the band began playing, the crowd even parted to make a pathway for fans to come and go through the growing throng of concertgoers. (You could say it’s a union of sorts.)

Yet once the show started, it was only about Duran Duran. The band, fresh off headlining the Cruel World festival, chose to open again with “Night Boat,” reworked for last year’s Danse Macabre album. Then there were favorites like “The Wild Boys,” “Hungry Like the Wolf,” and “Notorious,” which managed to get the people seated in the balcony onto their feet. 

But it was “Black Moonlight,” a single off the latest album, which started the heart of the show. Singer Simon Le Bon donned sunglasses as the occult-tinged video played on the screen above him. The band then launched into the classic track “Lonely in Your Nightmare” mixed with Rick James’ “Superfreak” (also from Danse Macabre). The Future Past single “Invisible” followed, reintroduced to the set list after young Metal Gear Solid fans gave the track new life on streaming services nearly three years after its official release. “Friends of Mine” and “Careless Memories,” perhaps Duran’s best live songs, closed out the exhilarating run.

Le Bon got serious for just a moment to dedicate “Ordinary World” to victims of war, whether Palestinians, Israelis, or Ukrainians. From there, the set list was mostly familiar territory for the average Duranie, filled with crowd-pleasers like “Planet Earth,” “White Lines,” and “The Reflex.” For me, it was a chance to admire John Taylor’s proficiency on bass and Nick Rhodes’ suit, black flecked with a yellow design—as stylish as ever. Duran added a too-short snippet of its disco-esque cover of “Psycho Killer” to “Girls on Film” to close out the main set list. By the time the band performed its now-standard encore of “Save a Prayer” and “Rio,” it was clear that the show had it all: Big hits for the casual fans and special moments for the Duranies (including a chant of “Roger! Roger! ... ” for Roger Taylor, the man behind the kit).

But what was most special: seeing and hearing my favorite band, once more close and clear—a real rarity for a Rock & Roll Hall of Fame act.

All photos by Karen Duran and Christopher Windle