Review: Duran Duran leans in to future, past in Fort Worth

 

As Duran Duran took the stage to the strains of "Velvet Newton" and launched into "The Wild Boys" in Texas on Aug. 30, it was a culmination of a more than six-year wait between live shows.

For me, the "Future Past" tour opener was how it was supposed to start. A week and a half prior, the ill-fated show in my home state of Minnesota was canceled at the last minute due to storms. The show at Dickie's Arena in Fort Worth was a pivot, and one that definitely proved to be worthwhile.

Chic opened the show masterfully, drawing the solidly numbered crowd to their spots in the 14,000-seat arena. Nile Rodgers and his band of skilled musicians put on a tour de force of Chic songs and assorted hits from the songwriter/superproducer's past. Everything from Diana Ross, Madonna, Bowie and Daft Punk was played. Rodgers always gets the party started for his brothers in Duran Duran.

Duran also rarely disappoints live, but there was something different this time. There seemed to be a new energy behind the band, now soon-to-be-inducted members of the Rock and Roll Hall of Fame.

"The Wild Boys" was a commanding burst of energy, aided by video-game like onscreen graphics in which the band members seemed to dance in and out of the fire. New graphics were also employed during "Hungry Like the Wolf" before the band played its first two songs off "Future Past." "Invisible" is always a solid live track, and “All of You" a pleasant add to the set list (though Simon Le Bon flubbed the first line of the chorus).

Le Bon sounded mostly in top form, only straining a bit on some high notes during "All of You" and "A View to a Kill." Le Bon, wearing a "Queen Sioux" T-shirt from Punk Masters and the beginnings of "Le Beard," was an energetic presence onstage. Between songs, he joked about how the neighboring city of Dallas was "booted and suited," while Fort Worth was more laid-back, though he was willing to give Dallas a shout-out later in the show.

Duran also played "Notorious," but this time without Rodgers, who joined the band onstage at prior shows. "Come Undone" was a showcase for backup singer Anna Ross, while Rachael O'Connor shined on the "Future Past" single "Give It All Up."

But the show really took off as Duran leaned in to nostalgia, playing a few "old friends" that compelled the crowd to dance and sing along. "Union of the Snake," "Friends of Mine" and the cracking "Careless Memories" may be the holy trinity of the "Future Past" tour. "Union" is a recent welcome addition to the set list, a song that's too often overlooked. "Friends of Mine" pointed to the band's upcoming Halloween shows in Las Vegas with clips from Hammer's "Dracula" playing on the screen above.

The band slowed things down with "Ordinary World" and a heartfelt dedication to the people of Ukraine. It was well-received in Fort Worth, where Duran seemingly could do no wrong with the audience, even when playing its newest and perhaps weakest single off "Future Past," "Tonight United."

"Planet Earth" led into "Hold Back the Rain" as images from Duran's early days flashed onscreen. The sound and vision brought fans back to when the Fab Five "were a gang, a SWAT team, best friends," as Nick Rhodes writes in the "Future Past" tour book. "Nothing seemed out of reach." 

As expected, Duran saved its biggest hits and a crowd-pleaser for last. "The Reflex" had the audience singing and dancing with abandon, and it made no difference that "White Lines" wasn't a Duran song. The band and an impressive Dom Brown made the song their own, on this night, at least.

"Girl on Film" closed the main set with a batch of fresh graphics and a segue into the Calvin Harris hit "Acceptable in the '80s." The encore of "Save a Prayer" and "Rio" delivered what the crowd wanted. Those songs may seem a bit stale to some diehard Duranies, but seeing them performed live restored faith in this band.

Over the past decade, Duran Duran has evolved into a Hall of Fame-caliber act whose music now belongs to a wider audience than the band enjoyed even during its heyday. Duran must continually straddle the line between its future and its past, its best-known songs and its fan favorites. The band manages to accomplish all that, and does it exceedingly well. See it, and believe it.

All photos by Christopher Windle

Single review: Duran Duran unleashes 'Invisible' with eye toward future, past

Duran Duran has been going big for more than 40 years, and the band shows no sign of stopping with new single "Invisible."

The song, from the forthcoming "Future Past" that's set for release Oct. 22 via Tape Modern/BMG, is one of 12 album tracks, plus three bonus tracks. Two more of the album's song titles revealed by band members so far are "All of You" and "Can't Say That It's Love," both purportedly featuring Bowie pianist Mike Garson.

But "Invisible" is the only song to have surfaced thus far, and its whispered intro may be the only quiet thing about it. The members of Duran, behind producer Erol Alkan, form a wall of sound with Nick Rhodes' funky keyboards, John Taylor's slap bass, and Roger Taylor's powerful electro drums. Graham Coxon's guitar stabs are at times reminiscent of early Andy Taylor. 

Among modern-day Duran albums, the sound falls somewhere between the slickly produced electro pop of "Paper Gods" and the more organic "All You Need Is Now." But whatever sound Duran decides to go for, the be-all-end-all is Simon Le Bon's voice. 

Whether the music on "Future Past" is an identifiable as Duran as Le Bon's vocals remains to be seen. For his part, Alkan promises that the songs he has produced capture the "spirit and dynamic" of Duran "as I know them now, or as I remember them whilst growing up." 

"Invisible" is backed by a spooky new video by AI "director" Huxley, touted by the band as the "first collaboration of its kind between artists in different planes of existence."

Next up, the Billboard Music Awards, where the band shares the bill with acts like BTS and Pink. This album cycle, apparent grabs for younger listeners have been accompanied by an array of physical products like colored vinyl aimed squarely at its target audience. 

This time out, Duran Duran seems to be truly straddling the line between its future and its past.

At top, "Future Past" album artwork (Tape Modern/BMG)

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The Psychedelic Furs at the Truman

The Psychedelic Furs' touring machine roared into Kansas City for a fun-filled Friday night show at the Truman on May 10.

The Furs have been touring pretty much nonstop over the past several years. Since 2013, we have seen them twice in Nebraska, another time in Kansas City, once in Denver, and once in Iowa. That's not a bad record for tour stops in and near the Midwest.

At the most recent Kansas City date, the band was supported by Royston Langdon of Spacehog fame. (Soon the Furs will be heading back out on the road with James.) Alone onstage, Langdon played an introspective acoustic set featuring songs like his band's big hit, "In the Meantime,” and David Bowie's "Ashes to Ashes."

Good, Williams, Paul Garisto, and Tim Butler. At top, the brothers Butler.
Photos by Christopher Windle.

In contrast, it was clear that the Furs were there to show the crowd a good time. Singer Richard Butler and his band, somewhat resembling a group of merry pirates with their shaggy hair, bounded onstage to "Heartbeat" and kept the energy high from there on.

The Furs played to a crowd that hadn't seen the band in their city for almost three years. The talents of guitarist Rich Good on tracks like "Mr. Jones" and saxophonist Mars Williams, adding a flourish of horns to songs including "Like a Stranger," impressed the audience. There were sing-alongs to "Love My Way," "Pretty in Pink," and the band's biggest-charting hit, "Heartbreak Beat," which closed the show.

Though the band got a bit political with the ever-precient "President Gas," the show was mainly a time to party. Like the best first wave '80s artists, the Furs offer music that fans can escape to. And the world could use an escape right now.

So the Furs delivered, with a shimmering piece of "Heaven," the '80s movie anthem "Pretty in Pink," and the driving post-punk of "India."

The Furs are one of the most consistent touring acts, with an impressive back catalog to draw from for its setlists. The only room for improvement would be the addition of new music to the show. Here's hoping a long-awaited next album is finally on the way.

Getting ready for DuranLive

In almost a month, Duran Duran will kick off its 2016 North American tour.

All photos by Christopher Windle.

I was reminded of this while I watched Duran Duran on MTV World Stage, the 2015 concert from Milan that recently aired in the U.S. for the first time on MTV Live (formerly Palladia). The hit fest, with an added dose of cool from special guest Mark Ronson, will reair at 10 p.m. Central time Thursday on MTV Live and at 11 p.m. Friday on VH1 Classic.

An impending tour always has Duranies wondering what's in store. Nick Rhodes recently told Billboard that Duran is taking out the stage production it used in the U.K. last year. If the set lists are similar, the band could play gems like "Only In Dreams," "Love Voodoo," "I Don't Want Your Love" and "New Moon On Monday."

Even for a band with so many hits, there are a lot of certainties. "The Wild Boys," "Notorious," "Girls On Film" (in some form) and "Ordinary World" are live staples. Everyone expects "Rio." I was at a show once at which the band didn't play it, and it wasn't a pretty view.

That makes up a good quarter of the set list. Expect a handful of new songs, minor hit "Pressure Off" key among them, to make up another quarter. After that is where the surprises could come in.

Some fans are clamoring for Duran to drop "White Lines" from the live show, though the 1995 cover always gets a good reception from the audience as a whole. Still, axing that song means a chance for one more Duran original. Here's a shoutout for "Union Of The Snake," for my husband.

The chance is ripe for a cover of a different kind. A tribute to David Bowie in the form of "Starman," "Fame" or a new song (maybe off the Nile Rodger's produced "Let's Dance") would be fitting. A recent poster on the Duran Duran message board said they'd like to hear John Taylor play the baseline to "Ashes to Ashes."

The time also might be right for new arrangements of old standards. I'm always partial to the Unplugged-era reworkings. Throw a little more of Bowie's "TVC15" onto "Hungry Like The Wolf" and I will totally never say I could take or leave that song live again.


But I'm accustomed to present-day Duran not getting too wild with the set list. I'm happy with the little surprises.

What songs would you like to hear?